The Golden Palominos members: John Zorn, Bernie Worrell, Matthew Sweet, John Lydon, Richard Thompson, Bill Laswell, Fred Frith, T-Bone Burnett Review
The Golden Palominos members: John Zorn, Bernie Worrell, Matthew Sweet, John Lydon, Richard Thompson, Bill Laswell, Fred Frith, T-Bone Burnett Feature
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 56. Chapters: John Zorn, Bernie Worrell, Matthew Sweet, John Lydon, Richard Thompson, Bill Laswell, Fred Frith, T-Bone Burnett, Jack Bruce, Michael Stipe, Carla Bley, Bob Mould, Don Dixon, Arto Lindsay, Nicole Blackman, Jamaaladeen Tacuma, Jody Harris, Henry Kaiser, Peter Holsapple, Syd Straw, Nicky Skopelitis, Chris Stamey, Knox Chandler, David Moss, Lori Carson, Anton Fier, Amanda Kramer. Excerpt: John Zorn (born September 2, 1953 in New York City) is an American avant-garde composer, arranger, record producer, saxophonist and multi-instrumentalist. Zorn is a prolific artist: he has hundreds of album credits as performer, composer, or producer. He's had experience with a variety of genres including jazz, rock, hardcore punk, classical, klezmer, film, cartoon, popular, and improvised music. Zorn brings these styles to his work, which he refers to with the label avant-garde/experimental. Zorn has stated that, "All the various styles are organically connected to one another. I'm an additive person - the entire storehouse of my knowledge informs everything I do. People are so obsessed with the surface that they can't see the connections, but they are there." Zorn has led the punk jazz band Naked City, led the klezmer-influenced quartet Masada and composed 'Masada Songbooks' (written concert music for classical ensembles), and has produced music for film and documentary. Zorn established himself within the New York City downtown music movement in the mid 1970s and has since composed and performed with a wide range of musicians working in diverse musical areas. By the early 1990s Zorn was working extensively in Japan, attracted by that culture's openness about borrowing and remixing ingredients from elsewhere, where he performed and recorded under the name Dekoboko Hajime, before returning to New York as a permanent base in the mid-1...
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